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Art

Between global and local ecologies

Liliana Gómez (ed.), Fabienne Liptay (ed.)

Eco-operations

Eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future

What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...

ecology
artistic practice
global ecology

Current Texts

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Malte Fabian Rauch

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” ABO

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

cinema
film d'auteur
Evil
contemporary art
film

Current Texts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

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Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Mario Schulze (ed.), Sarine Waltenspül (ed.): String Figures

Eduardo Jorge de Oliveira: Invented Skins

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Wolfgang Brückle (ed.), Fred Truniger (ed.): Display, Distribute, Disrupt

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Topics

Autofiction—Metafiction
- autobiography
- fiction
- memory
- autofiction
- Theory of fiction
Observing the Spectator
- gaze
- observer
- mirror
- optical illusion
The Subject of Capitalism
- migration
- capitalism
- subjectification
- cognitive capital
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- monochrome
- chromatics / colour science
- color

Current Texts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

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spiritism
colonialism
feminism
Africa
performance
ceremony
body
ritual

Current Texts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

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Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Books

Maria Zinfert (ed.): Kracauer. Photographic Archive

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Georges Didi-Huberman, Mira Fliescher (ed.), ...: The Cube and the Face

Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

First, before you invent a skin, you are born with a skin; second, you can make a skin when you have one.

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...